sur des mélodies de Carlos Gardel
2013
Publisher: Friedrich Hofmeister Musikverlag
3 volumes: FH 3399, FH 3400, FH 3401
- Premier Livre
- N° 1. Paraphrase de concert sur “Mi Buenos Aires Querido”
- N° 2. Fantaisie sur la mélodie “El Día Que Me Quieras”
- N° 3. Solitude (Paraphrase de concert sur “Soledad”)
- N° 4. Grande Valse-Fantaisie sur “Amores de Estudiante”
- Deuxième Livre
- N° 5. Paraphrase de concert sur “Por Una Cabeza”
- N° 6. Paraphrase de concert sur “Volvio Una Noche”
- N° 7. Grande Fantaisie de bravoure sur “Recuerdo Malevo”
- Troisième Livre
- N° 8. Fantaisie sur la mélodie “Sus Ojos Se Cerraron”
- N° 9. Le Retour (Paraphrase de concert sur “Volver”
- N° 10. Paraphrase de concert sur “Amargura”
- N° 11. Paraphrase de concert sur “Cuesta Abajo”
- N° 12. Paraphrase de concert sur “Arrabal Amargo”
“Pohlit shakes the glittering cascades, chord-vibrati, jump-effects as well as fast octave and third passages out of his sleeve and provides a brillíant-colored piano-texture that is always in motion. […] The development of the themes testifies to a particularly lively imagination. However, one may wonder whether the sometimes quite salon-like and plush piano style does not take away too much of the tango’s ascetic, angular peculiarity. Pohlit, of course, is prepared for this objection, and he parries it with a figure of argument that is no less brilliant than his piano style. “Like the contours of a picture, fading in the course of time, the laconical form and clear rhythmic structure of the classical Tango appear in many of these pieces in a transfigured lyrical way: transmitted in the atmosphere of the past musical salon, of which they do not originate in reality, but to which sensitive pianists and ambitioned music-lovers can lead them.” (“PianoNews”, Robert Nemecek 2014)
N° 2. Fantaisie sur la mélodie »El Día que me quieras«